30.6.09
First Impressions of Anna
Finally, we meet the title character! Although Tolstoy and I started off on the wrong foot when I read his rather self-pitying portrayal of Levin being humiliated by the "city folk," he more than made up for it with his introduction of Anna. How many novelists are brave enough to make their heroines full-figured, unconventionally beautiful mothers? Anna isn't a love goddess fresh off the train to conquer Moscow, but (at first impression) a perfectly believable woman. It isn't until second glance that you notice what sets her apart: her alert gray eyes, her grace and poise, and the brilliant soul overflowing her body. Quite the contrast to some other novels (and film adaptations...) I know. Step aside, air-headed blonde princesses - time for a grown-up to take the role!
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Goodness, I know, it was so refreshing to have an intelligent, really beautiful main character in a story finally. I love how it's not Anna's beauty that makes people notice her, but her character and soul showing through. Although, I thought Tolstoy delved a little bit into some purple prose during the ball scene (don't know if you've reached that part yet) I enjoy reading Anna. She's such a contrast to her husband, Karenin.
ReplyDeleteI did just read the ball scene (or more accurately, am in the middle of it). It was actually a rather amusing contradiction of mind and surroundings to be reading about an ornate classical ball while riding the profanity-filled, smelly contrivance that takes me to work every morning.
ReplyDeleteYes, the irony is painful, isn't it?
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